Detailed Notes on metafora

Arti: Cuci otak artinya dipengaruhi oleh seseorang dengan tanpa persetujuan, sehingga pikirannya menjadi berubah.

The phrase metaphor itself can be a metaphor, coming from the Greek phrase indicating 'transference (of possession)'. The consumer of the metaphor alters the reference on the phrase, "carrying" it from one semantic "realm" to a different.

A metaphor asserts the objects inside the comparison are equivalent on The purpose of comparison, though a simile just asserts a similarity through utilization of words and phrases which include like or as. Due to this a common-style metaphor is normally deemed far more forceful than the usual simile.[fifteen][sixteen]

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De allí que se pueden citar gran cantidad de ellas con facilidad. Observando por supuesto, la relación de parecido entre las Strategies o pensamientos que las conforman.

Прехвърляне на човешки черти върху животни или природни явления; свойства на един предмет да се приписват на друг въз основа на подобие или сходство между тях:

Направо към съдържанието Главно меню Главно меню

In the prior instance, "the earth" is in comparison to a stage, describing it Along with the characteristics of "the phase"; "the whole world" is the tenor, and "a phase" is definitely the vehicle; "Males and women" will be the secondary tenor, and "gamers" is definitely the secondary car.

La satisfiedáfora es una figura retórica que se utiliza para referirse a algo sin nombrarlo explícitamente, para lo cual se recurre a un uso figurado del lenguaje. Por ejemplo: Lo tienen bajo la lupa.

Luz Aurora Pimentel, retoma como antecedente la fulfilledáfora viva de Paul Ricoeur aplicada a la teoría literaria de los textos de ficción y enfoca su estudio en el discurso narrativo. La satisfiedáfora es una estructura que revela su autoácter de abstracción al pensarse desde varios niveles.

(Черти на един предмет се пренасят върху друг в основата на прилика свързваща прякото и преносно значение на думите.)

She argues that because fact is mediated by the language we use to describe it, the metaphors we use shape the globe and our interactions to it.

An implicit metaphor has no specified tenor, although the auto is current. M. H. Abrams features the following for example of the implicit metaphor: "That reed was as well frail to survive the storm of its sorrows".

Fundamento: la semejanza entre la velocidad con la que transcurre el tiempo y lo que tarda un ovillo more info de lana en deshacerse.

It's the one thing that can't be learnt from Many others; and It's also an indication of genius, given that a very good metaphor implies an intuitive perception with the similarity in dissimilars."[58]

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